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Sound, Composition, Essays, PhD Research

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Appendix – Theoretical Framework

May 8, 2014by H Warner Leave a comment

An expanded description of the theories that were utilised to create a framework for the composition and the recording of source material. Brøvig-Hanssen Mediating technology in musical creation facilitates the […]

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Annihilation + Aether, Text

figure.03 Soundscape Compositional Diagram

April 29, 2014by H Warner Leave a comment
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Diagrams, Text

figure.02 Processing, Editing and Mediation Table

April 27, 2014by H Warner Leave a comment
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Tables, Text

figure.01 Theoretical Model

April 21, 2014by H Warner Leave a comment
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Figures, Text

Concepts of simulation and reality as embedded in sound practice in light of Baudrillard’s ‘Simulacra and Simulation’

February 11, 2014by H Warner Leave a comment

If we acknowledge that sound is not organised and conceptualised (that is, made to form music) merely by its producer, but by the mind that perceives it, then music is […]

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Text

Mourning, Music, and Melancholy: Emotions and Grief in Representations of Deathscapes

October 11, 2013by H Warner Leave a comment

  As a rule I don’t like suffering to no purpose. Suffering should be creative, should give birth to something good and lovely (Achebe 1966). This paper attempts to trace […]

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Text

Modelling of Replicant Movement, Simulacra Procession, Technological Mediation and Acoustic Spatialiation

July 18, 2013by H Warner Leave a comment

Theory that informs sound structure must be able to frame ethereal processes whilst operating in a malleable function that allows the interfacing properties surfacing during assimilation of acoustic referents in […]

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Text

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Bio

H Warner

H Warner

Doctoral researcher at the University of St Andrews - School of Philosophy, Anthropology, Music and Film. Cultural theory and philosophical anthropology with an ethnographic research focus on phenomenologies of sound, the sonic 'self', memory and metaphor, sound design, studio discourse, and compositional process. Research interests in individuality, phenomenology, relational musicology, symbolic interactionism, identity and narrative, consciousness, imagination, and technological mediation.

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