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Tag Archives: Theory

Annihilation|Augmentation|Assimilation|Aether

May 21, 2014by H Warner Leave a comment

Music is more than an object of study: it is a way of perceiving the world; a tool of understanding (Attali 1985: 90) This project was undertaken as an experimental […]

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Annihilation + Aether

Annihilation [rebirth of death] 0 – 2.30

May 20, 2014by H Warner Leave a comment

Even those who think that death is a continuation, and not an ending, can benefit from contemplating the implications of annihilation (Luper 2009: 3) The significance of death is the […]

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Annihilation + Aether

Augmentation [time of death] 2.31 – 5.00

May 19, 2014by H Warner Leave a comment

The production of fiction requires an absence from worldly reality and a duplication of the teller in a site of potentiality positioned between life and death (Bronfen 1992: 358) Following […]

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Annihilation + Aether

Annihilation + Aether – Sonified Deathscape

Featuredby H Warner Leave a comment

The final ten-minute composition and sound design for the ‘sonified deathscape’ project Annihilation + Aether. Designed for circumaural headphone listening, preferably at night. Annihilation + Aether – Sonified Deathscape Annihilation [rebirth of […]

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Composition, Recording, Sound

figure.01 Theoretical Model

April 21, 2014by H Warner Leave a comment
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Figures, Text

Modelling of Replicant Movement, Simulacra Procession, Technological Mediation and Acoustic Spatialiation

July 18, 2013by H Warner Leave a comment

Theory that informs sound structure must be able to frame ethereal processes whilst operating in a malleable function that allows the interfacing properties surfacing during assimilation of acoustic referents in […]

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Bio

H Warner

H Warner

Doctoral researcher at the University of St Andrews - School of Philosophy, Anthropology, Music and Film. Cultural theory and philosophical anthropology with an ethnographic research focus on phenomenologies of sound, the sonic 'self', memory and metaphor, sound design, studio discourse, and compositional process. Research interests in individuality, phenomenology, relational musicology, symbolic interactionism, identity and narrative, consciousness, imagination, and technological mediation.

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